Our hindustani classical music course has been designed with reference to recognised university syllabus and stage performance skill development. It will start with foundation for acquiring clarity of voice and teach how to focus on the stability of the note and match pitch perfectly with the Tanpura. The student will learn many Brandish. Different songs and Bandish/compositions are given to initiate students into listening to classical music with many Hindustani classical music ragas.

After basics student will enter the Intermediate level of learning with the initiation into singing the Bada Khayal Bandish. The Vilambit Laya forms the framework of the Bada Khayal. Practice of holding this slow Laya is given importance here in order to lay a strong foundation during this level.

The development of each Raga will be explained and practiced  is detailed and the student is encouraged to sing extempore Swar Vistar and Aalap. Swar Sadhana is done with Aakar, Uukar and Mmkar during advance level. Theory – Raga characteristics studied along with the emotions by a Raga.. Structure of a Vilambit Khayal and a Dhrupad. Theory- Principles of Laya and Taal, Concepts of improvisation in Tabla, Taal concepts in Carnatic Music, Kanada Ke Prakar will be covered to build advance concepts.

• Swaras And Patterns Rhythm Patterns And Swara Patterns Composition exercises Alankar Raga characteristics Thaat System
• Raga Bhupali and Raga Durga Raga characteristics and Lakshan Geet
• Mandra Swar Sadhana and Composing Swar Vistar and Taal Thekas
• Raga Durga Jhaptaal , Bhupali Dhrupad and Trivat Brindavani Sarang , Khamaj, Yaman Des Kafi Alhaiya Bilaval Bhimpalasi Bhairav
• Bada Khayal Gayaki , Laya and Taal in Bada Khayal
• Bada Khayal in Yaman –Aalap ,Raga Asavari, Raga Kedar, Raga Malkauns
• Bada Khayal in Bhupali Raga Bhairavi Raga Bihag
• Teentaal, Dugun, Tigun, Chougun
  Principles of Raga formulation,
• formulation,Classification of Ragas, analysis
• Raga Characteristics of Bageshri and Bhimpalasi
• Raga Purvi Raga Hameer Raga Tilak Kamod
• Raga Jaijaivanti and Raga Malkauns Bada Khayal
• Gamak Ke Prakar
• Vilambit Taals with 16 Matras
• Raga Basant Chhota Khayal and Tarana,Raga Paraj
• Alhaiya Bilaval,Devgiri Bilaval,Yamani Bilaval,Kakubh Bilaval
• Raga Todi ,Deshkar ,Vibhas , Jaunpuri Bada and Chhota Khayal
• Raga Jaunpuri Chaturang, GaudSarang
• Pooriya Kalyan.Shyam Kalyan,Gorakh Kalyan,Raag Nand,Kalyan Ke Prakar
• Raga Multani Bada , Raga ChayaNat Chhota Khayal , Layakari in Taal
• Shuddh and Chhayalag Ragas
• Raga Megh Malhar,Hemant,Raga Ramdasi Malhar,Raga Jayant Malhar
• Gurjari Todi ,Bilaskhani Todi,Bhupal Todi,Komal Rishabh Asavari
• Raga Marva Bada Khayal , Jog , Shudh Kalyan ,Lalit ,Kedar .Shuddha Sarang, Puriya Dhanashri ,Puriya Dhanashri
• Principles of Raga formulation,Classification of Ragas, analysis