Our Programs-Best Online Piano|Guitar
Carnatic & Hindustani Classical Singing
Best Music Lessons
For All Level
01.
Beginner
We have best courses designed by expert faculties from complete scratch for performance and certification both. Both online and offline mode.
02.
Intermediate
We cater as per students level and requirements . we have online and offline courses for intermediate level to advance level with ample amount of practical exposure.
03.
Advanced
Our Offline and Online courses are inline with top university guidelines we can take you to complete professional level with the help of highly experienced faculties.
Relaxed & Friendly
Our Programs Are Tailored To Suit You
Piano
Our Piano course has been designed for students who are taking their steps to learn the piano as a musical instrument from beginner to advance level.
The course will lay the foundation for acquiring clarity of concepts of Steady Beat, Rhythm, Tempo, Pitch, Volume and Note Values, building the foundation student develops listening, reading & playing skills and having an understanding of the instrument, learning how to play and perform simple melodies, songs and classical pieces with the help of reading Staff Notation for both hands.
The course will make the ability to use basic elements of music (melody and rhythm) to teach how to focus on the stability of the note and match time perfectly with the Metronome.
The Trinity College of London syllabus will be covered with the reference reading material and listening material. The variety of Jingle Songs and Bollywood songs are included as an external range for the student to gain exposure to music.
In intermediate to advance level the course teaches the builds one’s sight reading skills and three Trinity Pieces are learnt and three Exercises are leant in the course along with Technical Skills (Scales & Broken Chords). The students will learn composing a tune on Grand Staff
- Theory-Steady Beats,Tempo,Pitch,Volume,Alphabets & Keyboard,Omnidextrous Finger Exercises, Note Values,Staff,Treble Clef, Bass Clef, Middle C
- Practical-Learning Steady Beat Song, Percussion Instruments on beat, Counting & Playing Note Values (Rhythms)
- Listening & Understanding different Tempos and Meter of 4
- Finger Exercises, C Hand Position (CDEFG),Play A Hand Position (ABCDE),Play F Hand Position ( FGABC),G Hand Position ( GABCD)
- Crotchet,Minim.Semibreve,Reading Staff
- Reading notes on Treble Clef and notes on Bass Clef
- Reading Grand Staff, C Major Scale
- Reading Sheet Music (Basic)-Grand Staff, Rests, Time Signature: 4/4
- Reading Sheet Music (Basic)-Grand Staff, Rests, Time Signature: 4/4
- Melodic Intervals, Harmonic Intervals,2nds & 3rds,4ths & 5ths,Time Signature: 3/4,Ties
- C Major Chord Major & G7 Chord (RH),C Major & G7 Chord (LH),F Major Major & D7 Chords (RH),G Major & D7 Chords (LH),6ths,7ths & Octaves
- Naturals and Accidentals (#,b),C Major Chord Family Major & C7 Chords (RH),F Major & C7 Chords (LH),Quavers
- Playing Sheet Music (Basic)-Clapping with Rhythm of the Song (Note Values, Rests & Ties)
- Recognising one note on each clef and Reading in step and skips
- Recognising Chords design and Scale in the song and play 2 bars at a time, 4 bars at a time, Play 8 bars at a time, Play with the dynamics
- Recognising Accidentals (#,b),Intervals (2nds & 3rds),(4ths & 5ths),Intervals (6ths),Intervals (7ths & Octaves)
Guitar
Guitar course has designed for students who are taking their steps to learn the guitar as a musical instrument from beginner to advance level.
Our course will introduce the student to the basics of playing music on the guitar, including techniques as well as the concepts necessary to understand and play songs.
Our structured curriculum is designed to teach essential musical concepts for syllabus of the internationally recognized Trinity College London. In that we start with complete basics and further expands on reading Guitar Tablature and Staff Notation, music theory, application arpeggios over chords etc. Students will also learn melodies using techniques.
- Guitar Basics, finger Technique, Terminology
- Rhythm & Notation
- Learn to Play a Song
- Musical Improvisation & Ear Training
- Power Chords and Applying Power Chords to Song
- Basic 6-String Chords
- Introduction to the A minor scale, Chord Theory, Harmony
- Concepts to harmonize melodies
- Playing advanced melodies
- Application of Arpeggios over chords
- Theory & Practical: ( Pieces & Aural Skills) for Trinity Grades
Hindustani CLASSICAL
Our course has been designed with reference to recognised university syllabus and stage performance skill development. it will start with foundation for acquiring clarity of voice and teach how to focus on the stability of the note and match pitch perfectly with the Tanpura. The student will learn many Brandish. different songs and Bandish/compositions are given to initiate students into listening to classical music with many Ragas.
After basics student will enter the Intermediate level of learning with the initiation into singing the Bada Khayal Bandish. The Vilambit Laya forms the framework of the Bada Khayal. Practice of holding this slow Laya is given importance here in order to lay a strong foundation during this level.
The development of each Raga will be explained and practiced is detailed and the student is encouraged to sing extempore Swar Vistar and Aalap. Swar Sadhana is done with Aakar, Uukar and Mmkar during advance level. Theory – Raga characteristics studied along with the emotions by a Raga.. Structure of a Vilambit Khayal and a Dhrupad. Theory- Principles of Laya and Taal, Concepts of improvisation in Tabla, Taal concepts in Carnatic Music, Kanada Ke Prakar will be covered to build advance concepts.
- Swaras And Patterns Rhythm Patterns And Swara Patterns Composition exercises Alankar Raga characteristics Thaat System
- Raga Bhupali and Raga Durga Raga characteristics and Lakshan Geet
- Mandra Swar Sadhana and Composing Swar Vistar and Taal Thekas
- Raga Durga Jhaptaal ,Bhupali Dhrupad and Trivat Brindavani Sarang ,Khamaj, Yaman Des Kafi Alhaiya Bilaval Bhimpalasi Bhairav
- Bada Khayal Gayaki , Laya and Taal in Bada Khayal
- Bada Khayal in Yaman –Aalap ,Raga Asavari, Raga Kedar, Raga Malkauns
- Bada Khayal in Bhupali Raga Bhairavi Raga Bihag
- Teentaal, Dugun, Tigun, Chougun
- Principles of Raga formulation,Classification of Ragas, analysis
- Raga Characteristics of Bageshri and Bhimpalasi
- Raga Purvi Raga Hameer Raga Tilak Kamod
- Raga Jaijaivanti and Raga Malkauns Bada Khayal
- Gamak Ke Prakar
- Vilambit Taals with 16 Matras
- Raga Basant Chhota Khayal and Tarana,Raga Paraj
- Alhaiya Bilaval,Devgiri Bilaval,Yamani Bilaval,Kakubh Bilaval
- Raga Todi ,Deshkar ,Vibhas , Jaunpuri Bada and Chhota Khayal
- Raga Jaunpuri Chaturang, GaudSarang
- Pooriya Kalyan.Shyam Kalyan,Gorakh Kalyan,Raag Nand,Kalyan Ke Prakar
- Raga Multani Bada , Raga ChayaNat Chhota Khayal , Layakari in Taal
- Shuddh and Chhayalag Ragas
- Raga Megh Malhar,Hemant,Raga Ramdasi Malhar,Raga Jayant Malhar
- Gurjari Todi ,Bilaskhani Todi,Bhupal Todi,Komal Rishabh Asavari
- Raga Marva Bada Khayal , Jog , Shudh Kalyan ,Lalit ,Kedar .Shuddha Sarang, Puriya Dhanashri ,Puriya Dhanashri
- Principles of Raga formulation,Classification of Ragas, analysis
CARNATIC MUSIC
Egestas pellentesque auctor pellentesque purus tempor pellentesque ut cursus ipsum, mi varius nec pharetra turpis auctor eu tempor hendrerit id quis quis turpis rhoncus gravida metus, turpis cras orci.
- Habitant sem et ultricies
- Molestie in varius nibh semper
- Id ipsum id amet gravida
- Semper aenean enim
- Ac sapien ut cursus sit
- Tincidunt viverra diam
Ready to pursue
your dream
Sollicitudin est aliquet morbi faucibus duis fringilla cras donec amet.